Even secondary characters are well-rounded, with their own histories and motivations. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. The finely drawn characters capture readers’ attention in this debut.Īutumn and Phineas, nicknamed Finny, were born a week apart their mothers are still best friends. But this novel-as-journal isn’t just the author’s conceit Tod’s writing skill, his clear prose and natural voice, makes sense as readers get to know him through his journal, in which he describes himself and his world and proves that maybe he’s more than a “ghetto juvenile delinquent,” which is just what Mrs. And despite his handwriting, his scrawl, his prose is quite good, raising the question, early on, of how a thug like Tod could be such a literate writer, let alone have read Moby-Dick, Oliver Twist and A Clockwork Orange. Woodrow, the guidance counselor and former English teacher, where his punishment is to write several pages per day in a composition notebook. Or is he? His friends have been sentenced by the disciplinary committee to endless hours of cleanup duty, but Tod, for some reason, is sent to daily detention with Mrs. Previously, he’s taken kids’ lunch money, broken eyeglasses, intimidated weaker kids.
Tod Munn is in trouble for breaking into school and vandalizing school property.
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